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Jan Christy Posted on Monday, November 18, – I have a Sting Ray Bass. My Dad taught me how to play it when I was around 12 years old I’m 32 now. I quit playing when I was in my twenties. My Dad passed away in and the first of the year, I started playing again. I play at my Church. That is the style that I play. If you are interested in serial number and dates on my bass, let me know. Posted on Monday, December 02, –

Music Man StingRay “Old Smoothie” BFR

White had worked with Leo in the very early days of Fender Electric Instrument Manufacturing Company as the plant manager and stayed on after the company was sold to the CBS Corporation , but had grown unhappy with their management. Tom Walker worked as a sales rep at Fender. Because of a year non-compete clause in the contract that sold the Fender companies to CBS, Leo Fender was a silent partner.

The name of this partnership was changed to Musitek, Inc.

Built with a traditional 9-volt two-band preamp, select Birdseye maple neck and a classic single Music Man humbucker constructed with alnico pole pieces, the Music Man Sting Ray 5 HS Neck Through channels the retro glory of the original into a modern-day rendition all its own.

While most of his early years were spent in London, Kanal and his family also spent brief periods living in Toronto, Canada and Indiana before eventually returning to London. At age eleven, he and his family moved again to the United States and settled in Anaheim, California. When Interscope Records began turning songs down, No Doubt did it on their own.

Over two years they recorded ten songs and released it independently. When No Doubt went on hiatus, Kanal began a career behind the mixing console. In , Kanal produced three songs for the soundtrack to 50 First Dates. Also in , Kanal produced and co-wrote three tracks on Gwen Stefani’s first solo album Love. Kanal again worked with Gwen Stefani for her follow-up solo album The Sweet Escape , released in

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Here we see a beautiful example of the rarely seen, and some would say more aesthetically pleasing, sibling of the Stingray bass guitar, the MusicMan Sabre. This fretless example features two of MusicMan’s own now legendary design pickups as opposed to the Stingray’s single unit and also boasts its own unique preamp design, with Bass and Treble EQ knobs for both boost and cut, as well as a bright switch and a phase reversal switch, making for an incredibly versatile instrument.

According to the seller’s blurb, “the classic alder and maple tone wood combination [gives] this bass has a bell-like upper midrange and warm pleasing low end that translates well through the pickups, while the preamp allows you to dial in plenty of treble zing, or as much warm pillowy low end as you’d need, while also allowing you to dial back the bass for a tight, cutting, well defined sound.

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First known as Tri-Sonic and then later Musitek, Inc. The company began producing a hybrid tube-solid state amplifier co-designed by Tom Walker and Leo Fender , who was participating as a silent partner to the firm due to a “no compete” clause in the sales contract Fender had signed when he sold his original company to CBS in After the clause expired in , he was made president of MusicMan, Inc. Designed by Fender, Walker and Sterling Ball Sterling was a beta tester for the instrument , the StingRay bass appeared in and, though physically similar to a Fender Precision Bass , was a highly innovative instrument.

It employed a “soapbar” humbucking pickup and an active pre-amp powered by a 9-volt battery. The early versions had 2-band EQ i. The StingRay’s 3-band equalization system was highly innovative; making it possible to boost midrange frequencies as well as low and high, something which had not been possible on basses without active preamps. Early models have through-body stringing at the bridge, which is fitted with adjustable string mutes. Later models omit both features, except for the 30th Anniversary model of , which uses the string-through-body design and features a solid mahogany body finished in a Crimson Red Transparent finish.

Later advancements on the StingRay included a 5-string version the StingRay 5 , which has a 3-way toggle switch that allows the player to split the humbucking pickup’s coils, and a unique truss-rod neck adjustment system that incorporated a Teflon washer which made it highly resistant to rust and corrosion and made adjusting the neck of a StingRay relatively easy. In the early s a budget version of the StingRay known as the S.

The Factory Tour

November 03, , Originally posted by RikRocksBass Ok guys! Thanks for the input.

Ernie Ball Music Man Stingray 4 Silver Maple neck #ernie ball music. More about this ad: Ernie Ball Music Man Stingray 4 Silver Maple neck HH Toured with TBR – LONDON, Dating and Relationships Gone Wrong! Well, it has never been easy to date or be in a relationship. These classified ads show how some people chose to deal with the.

Almost immediately, it was a smash hit with players such as Bernard Edwards, John Deacon, Carl Radle, and especially Louis Johnson, who visited the factory several times to give Leo feedback. The tenpolepiece pickup is quite distinctive, too; just like the original, it really does resemble two eightpolepiece housings cut and rejoined to form a pickup with five polepieces in each coil. The stringthrough- body bridge with adjustable mute pads, walnut skunk stripe on the back of the maple neck, and light yellow neck finish help give it that oldschool glow.

Its most striking quality, perhaps, is the absence of the Ernie Ball logo from the headstock, a first for an Ernie Ball Music Man bass. Old Smoothie came perfectly set up with. At just over nine pounds, it was a joy to play for long periods, and the slim neck—with its 7. Plugged in, Old Smoothie has oodles of that classic StingRay tone: But what sets Old Smoothie apart is the pickup. The result is a more subdued take on the classic StingRay sound, with a bit more fundamental. The trademark Music Man high end can sometimes sound harsh and thin, and in the wrong hands, the active nature of the preamp can dominate.

With its warmer variation on one of the great bass tone templates, Old Smoothie is a welcome addition to the Music Man StingRay legacy.

Hipshot Tuners

During their visit, May also spoke about the forthcoming feature film based on the life and times of Freddie Mercury. The deal was first struck in , when a major catalogue reissue programme was launched that saw Queen material released on the Island label for the first time. The Studio Experience focuses on their long history in Montreux, where they worked at Mountain Studios and created six albums between and The exhibition includes a wealth of Queen memorabilia, costumes, instruments, original handwritten lyrics to songs such as One Vision and Tie Your Mother Down, and other artefacts.

The Stingray guitar had a very progressive design which employed coil splitting and active circuitry. However, by when the Stingray was released, the genre of rock guitar was already defined by the Fender Stratocaster and Gibson Les Paul.

The body is made of highly flamed maple, absolutely gorgeous. And most of all, there is a detail we have never encountered on a Country Club: The sound post connects top and back, giving the guitar a greater rigidity, to avoid feedback problems when played really loud. No heavy dings, no heavy wear. The binding deterioration, so common on ’60 Gretsches, was becoming a real problem on the guitar’s body, since it just could not be stopped in any way.

So, instead of keeping on touching it up by replacing the damaged pieces one at a time, we have chosen to ask our luthier Salvatore Mancuso to complety restore it. The restoration job is just perfect, since Mancuso has used exactly the same material, dimentions and colour of the original binding. More rare details make of this guitar a true “collector’s item”: Rare and interesting indeed! All in all, an exceptional guitar, rare and beautiful, with the same sound and circuitry of period’s s, but with an unique look and personality, with a great natural blond finish and a fantastic flamed maple body.

Introduced inl as the budget model in the Chet Atkins line, the Tennessean mod. Few guitars have such a strong personality.

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For 40 years it has been at the forefront of bass innovation and inspired some of the slickest grooves ever to hit the lower frequencies. Now this mega bass gets the BFR treatment! Ball Family Reserve models are the deliciously spec’d designs that maybe don’t fit with style of production models, think of it as the private stock of Music Man. Limited to only 86 pieces worldwide, this is one bass you are not going to want to miss.

The red tortoise shell pickguard is a classic touch and looks the business. The Roasted Figured Maple neck is a joy to play, with a 34″ scale length and 7.

Even cooler without the frets. Few fretless electric basses are as flat-out cool or have as much powerful tone as the Music Man StingRay. Introduced in , the StingRay was the first bass guitar to feature active electronics and advancements such as a 6-bolt neck joint, contoured body, superior neck truss-rod system, and rock-solid bridge, all of which keep it on top of the pack.

Gallery Make an enquiry Wow… This is the one word summary that surely and unequivocally describes this amazing bass instrument the moment you open the case lid. We are privileged to be able to offer to you what we think is probably the finest example of a Leo Fender, pre-Ernie Ball, MusicMan Stingray bass on the planet.

Given to us to sell by a long time friend of ATB Guitars, a superb musician and MusicMan fanatic, this is the bass he searched for years to find. There is not a single blemish on it anywhere. The chrome hardware gleams like new, there is zero checking, the finish has not faded and is still the same vibrant, light shade of natural it was the day it left the factory. The fact that this amazing bass is now 38 years old begs the question – where on earth did he find a time machine…?

Just have a look at the pictures in our gallery and hopefully, you will see what I am referring to although I do think it looks even better in real life. It comes with the original owners manual in good condition not mint and the correct ABS black plastic case which I believe in itself is fairly hard to find.

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Hear an mp3 audio sample of the stingray bass below Before skinny ties were hip, the Music Man Stingray was a favorite of funky bass players worldwide. Created by the legendary Leo Fender ever heard of him? Above is an excellent example of a sunburst vintage Stingray with a maple neck.

The Ray4 bass is the cousin of the Music Man StingRay 4 bass. Classic, iconic instruments that defined a generation of bassists since the late ’70s. Active electronics, low noise hum bucking pickups, rock solid hardware and a simple, uncluttered look that is instantly recognizable and respected.

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The StingRay was the first production four string bass to feature on-board active equalization. All of which combined produce a look, feel and sound that are remarkably unmistakable. Experience innovative design and uncompromising performance. It sounds nice through any rig, while playing one is an adjustment to any other 4 string it’s the most comfortable If you are serious about playing bass, this is your dream bass!

It sounds nice through any rig, while playing one is an adjustment to any other 4 string it’s the most comfortable bass you’ll play.

Welcome to the BunnyBass Musical Instrument Archive.

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By Jonathan Herrera September 1, The music man StingRay has been lauded continuously in these pages, most recently in when we reviewed the 40th-anniversary edition of the stalwart bass. Looking back on our many StingRay reviews, the details change with each iteration, but a few broad threads remain true: While ten years younger than its smaller brother, the StingRay5 is nearly as iconic.

As of ‘s Ballbreaker, Cliff has been using a Music Man StingRay strung with D’Addario flatwounds. During the early years with AC/DC, he mainly used Precision basses, altho ugh during some.

White had worked with Leo in the very early days of Fender Electric Instrument Manufacturing Company as the plant manager and stayed on after the company was sold to the CBS Corporation , but had grown unhappy with their management. Tom Walker worked as a sales rep at Fender. Because of a year non-compete clause in the contract that sold the Fender companies to CBS, Leo Fender was a silent partner. The name of this partnership was changed to Musitek, Inc.

In , the company started producing its first product, an amplifer designed by Leo Fender and Tom Walker called the “Sixty Five”. It was a hybrid of tube and solid state technology. The preamps used the then burgeoning solid state “op-amp” integrated circuits embodying traditional Fender preamp time constants and architecture, while the power amps typically featured a Cathode Driven Tube power amp stage, much as were used in the radio broadcast industry in AM Transmitters.

There were a few models with a tube phase splitter in them, but for the most part Music Man amplifiers used the faster responding common Grid, Cathode Coupled drive from a solid state front end that players characterized as “loud as hell”. The number of designs rapidly increased. In , Fender’s legal restriction had expired and after a vote of the board he was named the president of Music Man. This wasn’t Fender’s sole enterprise however.

What I Love and Hate About This Bass – Musicman Stingray 5 Bass Full Review

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